Google Scholar Stephen King, Carrie (London: New English Library, 1974), p. 132. Aviva Briefel states in her article, "Monster Pains: Masochism, Menstruation, and Identification in the Horror Film," that menstruation is the start of monstrosity. Once a girl has reached puberty she is seen to be monstrous. After the initial shock of the onset of womanhood, Carries new maturity presents her with the possibility Barbara Creed FAHA (born 30 September 1943) is a professor of cinema studies in the School of Culture and Communication at the University of Melbourne.She is the author of six books on gender, feminist film theory, and the horror genre. In chart-ing Carries path to mature womanhood, the film presents female sexuality as monstrous and constructs femininity as a subject position impossible to occupy. Google Scholar Stephen King, The Dread of Difference: Gender and the Horror Film (Austin: University of Texas Press, 1996), pp. The Dread of Difference is a classic. In The dread of difference: Gender and the horror film, edited by B. K. Grant , 279-295. Horror films feed into the female monsters identity through her menstruation, since this is a point of contrast from male anatomy and physiology. Horror, Femininity, and Carries Monstrous Puberty (Shelley Stamp) 15. (2005). Ed. 4. While less explicit in other teenage girl-monster movies, the notion of monstrous puberty persists as subtext. University of Illinois Press, n.d. Horror, Femininity, and Carrie's Monstrous Puberty (Shelley Stamp Lindsey) 13. Carol J. Clover, Men, Women, and Chainsaws: Gender in the Modern Horror Film (Princeton, NJ: Princeton University Press, 1992), 61n. 22 Dec. 2014. However, my analysis of these films deviates slightly from Creeds Dual Images of the "Monstrous Feminine" in Three Horror Films . 14. As you're reading these articles, take notes on the different themes these writers saw in the movie Carrie. The Dread of Difference: Gender and the Horror Film. #12, Lindsey: Horror, Femininity, and Carries Monstrous Puberty and #17 Wood, Burying the Undead: The Use and Obsolescence if Count Dracula. Is the Rectum a Grave? Horror, Femininity and Carrie's Monstrous Puberty, (1987). Is the Rectum a Grave? 55. very overt feminine aspects of Carries talethe preoccupation with menstruation; the suffering she faces as a result of her female body and puberty being demonized by those around her or to suggest that a female Lindsey, Shelley Stamp. Horror and the Monstrous-Feminine: An Imaginary Abjection (Barbara Creed) 3. 285, 288, 289. Stamp Lindsey states not only is Carrie a female monster, but sexual difference is integral to the horror she generates; monstrosity is explicitly associated "Horror, Femininity, and Carrie's Monstrous Puberty." 12. 808 certified writers online. Article features include film and related media, problems of education in these fields, and the function of film and video in society. Horror, Femininity, and Carrie's Monstrous Puberty (Shelley Stamp) 15. (1) Horror, Femininity, and Carrie's Monstrous Puberty (2) Cult Movie Review: Carrie (3) Pretty Bloody: Women and Stereotypes in Horror; Read Sonny's Blues; Posted by Mickey Moses at 10:21 AM No comments: Email This BlogThis! When she learns that her budding telekinetic powers are directly linked to the physical maturation of her body, Carrie embraces her gift, rebelling against her mothers scare tactics. Buffy discovers at the onset of puberty that she is "not quite" human, but instead comes from a long line of female warriors who fight demons and vampires on earth. horror, femininity, and carrie's monstrous puberty By JEFFREY J CAPPELLO on June 2, 2011 10:19 PM | 3 Comments | 0 TrackBacks The 1976 film Carrie, about a girl who discovers she has telekinetic powers when she has her first period, is often seen as a film about a positive rebellion against a sexually repressive society. Horror movies of psychological disturbance, from Psycho (1960) to The Silence of the Lambs (1991) to Slaughter Daughter (2012), usually offer at least a vague psychoanalytic Students Name Professor Course Date Analysis of the film Carrie (1976) The movie Carrie (1976) is an American horror Web. Menstrual Mediations. On Female Bodily Experience. It looks like you're using Internet Explorer 11 or older. University of Illinois Press, n.d. Read Cult Movie Review: Carrie by John Kenneth Muir and Horror, Femininity, and Carrie's Monstrous Puberty by Shelley Stamp Lindsey. My only regret about reading this book is that I came to it too late, as it has some seminal works that I'd already read, most notably Carol Clover's "Her Body, Himself," which originally defined the idea of the Final Girl, and Shelley Stamp Lindsey's wonderful "Horror, Femininity and Carrie's Monstrous Puberty." Ed. This website works best with modern browsers such as the latest versions of Chrome, Firefox, Safari, and Edge. "Horror, Femininity, and Carrie's Monstrous Puberty." Its rarely on the shelf at my university library, so continuously does it circulate. FIRST PAPER DUE **(At home view either CARRIE (DePalma,1976) or THE EXORCIST (Friedkin,1973)) We will write a custom Essay on Female Character in Palmas Carrie Horror Film specifically for you. Collection of essays, edited by Barry Keith Grant, focusing on the theme of gender within the horror film genre. The Dread of Difference: Gender and the Horror Film. Torture Porn and Uneasy Feminisms: Rethinking (Wo)men in Eli Roth's Hostel Films (Maisha Wester) Part Three 14. 1996. Few film studies texts have been so widely read and so influential. Long before there were anti-bullying campaigns, Carrie (1976) showed us how teenage cruelty can lead to outright death and bloody trauma. The Dread of Difference by Barry Keith Grant, 9780292771376, available at Book Depository with free delivery worldwide. ), The Dread of Difference: Gender and The Horror Film, Austin: University of Texas Press, pp. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. October 43 (1977). The Monster as Woman: Two Generations of Cat People (Karen Hollinger) 16. Austin: University of Texas Press, 1996. 279-295. Horror and the monstrous-feminine: An imaginary abjection. The Dread of Difference. Robin Wood, Ch5 The American Nightmare: Horror in the 70s, Hollywood: From Vietnam to Reagan And Beyond (New York: Columbia UP, 2003): 63-84. Shelley Stamp Lindsay, Horror, Femininity and Carries Monstrous Puberty, in Barry Keith Grant (ed.). In this essay we analyse William Friedkins 1973 film, The Exorcist, and why young girls and women are such effective horror movie subjects, analysing puberty, society's fear of a young woman entering puberty, and the influence of the mother-daughter relationship in who a young woman becomes later i. A goal of this genre includes invoking responses of trepidation and panic from the audience. The Entity (1982), to take an oft-cited example, seems to be a genderless monster, but as a supernatural force that sexually victimizes a female character it clearly embodies a monstrous masculinity. Shelley Stamp Lindsay, Horror, Femininity and Carries Monstrous Puberty, in Barry Keith Grant (ed.). Austin, TX: University of Texas, 279 295. Description: The Journal of Film and Video, an internationally respected forum, focuses on scholarship in the fields of film and video production, history, theory, criticism, and aesthetics. Austin: University of Texas Press. Horror, Femininity, and Carries Monstrous Puberty (Shelley Stamp) 15. Once a girl has reached puberty she is seen to be monstrous. Horror films feed into the female monsters identity through her menstruation, since this is a point of contrast from male anatomy and physiology. Motherhood and menstruation become things which society is taught to find disgusting. Web. The Monster as Woman: Two Generations of Cat People (Karen Hollinger) 16. The blood of the crucifix connects Carries first period to the suffering of Christ, deepening the relationship between debased femininity and religion. Lindsey, SS (1996) Horror, femininity, and Carries monstrous puberty. Ginger Snaps, like Carrie, places Gingers transformation at the moment of her first period; when her concerned sister describes her transformation to the school nurse, it is mistaken for quotidian puberty. Barry Keith Grant. Ed. Horrible Bodies: The (new) body politics of horror In an interview, Tom Sherak once said, Film is a reflection of society, both present and past. [1] Indeed, by watching a film one can gauge a lot about its time current events, social relations, structures, but also anxieties. 2. In this course, we will watch a variety of classic and contemporary horror films with the goal of understanding how what is considered scary or monstrous in such films often relates to anxieties surrounding gender, sexuality and difference. The story of a girl going through puberty is no less frighteningwhat with sexual awakenings, changing bodies, and literal blood escaping the ever enigmatic and oh-so-mysterious vagina.. The audience relates only with masculinity and disdains femininity. While in other film genres mothers may be overtly passive- or notably in genres like animation - often wholly absent (strm, 2015, 2017; Heatwole, 2016 ), the mothers of the horror genre make their presence well and truly known.From the neglectful or weak to the selfish, monstrous or even demonic if youre a mum in a horror film, you might just find yourself the [30] In fact, in one hazing ritual in Raw that mirrors this scene from Carrie. The Dread of Difference: Gender and the Horror Film (Austin: University of Texas Press, 1996), pp. Share It looks like you're using Internet Explorer 11 or older. JSTOR. "Horror, Femininity, and Carrie's Monstrous Puberty." As a painfully sheltered girl with an intensely devoted religious fanatic of a mother (Piper Laurie), Carrie initially regards puberty as a form of humiliation. The horror film genre is a movie genre containing multiple subgenres. Motherhood and menstruation become things Once a girl has reached puberty she is seen to be monstrous. Barry Keith Grant. The representation of gender in horror films, Once a girl has reached puberty she is seen to be monstrous. Learn More. Shelley Stamp Lindsey, Horror, Femininity, and Carries Monstrous Puberty in The Dread of Difference: Gender and the Horror Film, ed. (The Horror, Femininity, and Carrie's Puberty is a VERY dense piece. 97-122. Genres Sci-Fi The Monster as Woman: Two Generations of Cat People (Karen Hollinger) 14. The Dread of Difference: Gender and the Horror Film. The horror genre uses monstrous transformation as metaphors for puberty in young girls, and cannibalism and sexuality are the subsequent conduits for their liberation. 22 Dec. 2014. Horror, femininity, and Carrie's monstrous puberty. The idea of a coming-of-age story that takes puberty and turns it into monsterhood is not new; even werewolves have done it several times, nor is the idea of the monstrous feminine, of the female villain and of femininity made monstrous. View The movie Carrie.docx from PHYSICS 1 at Saint Mary's College of California. Based on the novel by Stephen King, De Palma filled his cast with unknown talent, and he fished from a big pond. the pig blood-soaked prom dress in Carrie. Cerca nel pi grande indice di testi integrali mai esistito. Is the Rectum a Grave? 14. 285, 288, 289. [1] Critics and researchers claim that these films depict graphically detailed violence [2], contain erotically or sexually charged situations which verge on becoming pornographic [3] [4], and focus more on The dread of difference: gender and the horror film. Horror movies of psychological disturbance, such as Psycho (1960) and Homicidal (1961), usually offer a vague psychoanalytic explanation locating the cause of madness in the Torture Porn and Uneasy Feminisms: Rethinking (Wo)men in Eli Roths Hostel Films (Maisha Wester) Part Three. Miller, A. This website works best with modern browsers such as the latest versions of Chrome, Firefox, Safari, and Edge. "Horror, Femininity, and Carrie's Monstrous Puberty." An undying procession of sons of Dracula and daughters of darkness has animated the horror film genre from the beginning. Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics. The film opens with Carries first menstruation, a mysterious and shameful event for the sheltered outcast. SPECIAL TOPICS (crn 3942) HORROR & THRILLER FILMS. Indeed, Brian De Palmas Carrie (1976) has provided a fruitful example to address how monstrosity is conflated with the female bodys sexuality and fertility in horror film remembered in great part due to the infamous plug it up! shaming sequencea pop culture moment in its own right, echoed in remakes of Carrie (2013, dir. The Horror Film in Neoconservative Culture (Christopher Sharrett) 13. Read Cult Movie Review: Carrie by John Kenneth Muir and Horror, Femininity, and Carrie's Monstrous Puberty by Shelley Stamp Lindsey. According to Barbara Creed in her essay Horror and the Monstrous Feminine: An Imaginary Abjection, the push and pull tactics between Carrie and her mother arent unique to the story. SPECIAL TOPICS (crn 3942) HORROR & THRILLER FILMS. The Monster as Woman: Two Generations of Cat People (Karen Hollinger) 14. Horror and the Monstrous-Feminine: An Imaginary Abjection (Barbara Creed) 3. Raw (2016) 'Raw' Official Trailer (2016) Watch on. Lindsey, Shelley Stamp. 12/4 - Class 14. Horror, Femininity and Carrie's Monstrous Puberty, (1987). Above all, I believe, we must consider what most critics have glossed overthe role gender plays in the articulation of horrorsince the film repeatedly insists on Carries gender and the specific development of Carries final act of revenge as well as the death of both her and her mother serves as the consequences of the failure of sexual repression to contain the monstrous-feminine (Lindsey 40). Read 3 articles on Carrie. 22 reviews. La mia raccolta Horror, Femininity and Carrie's Monstrous Puberty, (1987). The audience relates only with masculinity and disdains femininity. Long before there were anti-bullying campaigns, Carrie (1976) showed us how teenage cruelty can lead to outright death and bloody trauma. Kathryn Cutler-MacKenzie analyses the horror and coming of age film Carrie, by Brian De Palma (1976). The film Scanners, David Cronenbergs 1981 tale of psychic people and the government who would weaponize them, demonstrated just how big a headache being paranormally gifted could be, but it was 1984s Firestarter, based on the Stephen King novel, that brought epistaxis telepathica to the masses. Buffy discovers at the onset of puberty that she is "not quite" human, but instead comes from a long line of female warriors who fight demons and vampires on earth. Carrie (1976), and . Horror, Femininity and Carrie's Monstrous Puberty, (1987). It is also worth mentioning the natural connection to be made between blood-soaked dresses (or other womens clothing) and menstrual blood, especially for female characters that have or are hitting puberty, i.e. Horror, Femininity, and Carries Monstrous Puberty. The Dread of Difference Second Edition, University of Texas Press, 2015, p. 329-345. The Dread of Difference: Gender and the Horror Film. Horror, Femininity, and Carrie's Monstrous Puberty. "Horror, Femininity, and Carrie's Monstrous Puberty." This week in Horror Movie History the Brian De Palma classic, Carrie was released on November 3rd in 1976. Shelley Stamp Lindsey, Horror, Femininity, and Carrie's Monstrous Puberty, Journal of Film and Video 43.4 (Winter 1991): 33-44. A goal of this genre includes invoking responses of trepidation and panic from the audience. and familial as horrific, Carrie (1976) en gages the language of fantasy to represent the terrain of female adolescence. A girls gotta eat, but Raw takes the term man-eater to a whole new level. Sets found in the same folder. QUESTION "Ismene, dear sister, You would think that we had already suffered enough for the curse on Oedipus: I cannot imagine any grief that you and I have not gone through" 4 answers. Google Scholar . for only $16.05 $11/page. The film is in essence a melodramatic Identifying the Monstrous feminine as a recurring theme in Gothic works, Creed argues that it is most often the all-devouring womb of the archaic mother which generates the horror (63). Barbara Creeds The Monstrous-Feminine (1993) is a must-read for anyone interested in the female monsters (and female monstrosity) present in the modern horror film.For my oral exam list, I chose to focus on the first section of her book, Part I: Faces of the Monstrous-Feminine, which provides both a definition and foundation for the term monstrous-feminine, Barry Keith Grant (Austin: University of Texas Press, 1996), 281. Begin ning with Carrie's first menstrual period, her initiation into mature female sexuality, the film traces the development of femi ninity to its (nearly) successful conclu sion. Torture Porn and Uneasy Feminisms: Rethinking (Wo)men in Eli Roths Hostel Films (Maisha Wester) Part Three. Horror, Femininity, and Carries Monstrous Puberty in Grant, Barry Keith. 7 answers. It is a very problematic representation of female empowerment. In Men Women and Chainsaws: Carrie and the Boys. Creed discusses depictions of the monstrous-feminine in horror film, but her argument that abjection is central to the recurring image of the monstrous-feminine in horror movies is also applicable to the monstrous in Sherman (Mulvey 148). Horror films use the female body as a form of an object. Aviva Briefel states in her article, "Monster Pains: Masochism, Menstruation, and Identification in the Horror Film," that menstruation is the start of monstrosity. Once a girl has reached puberty she is seen to be monstrous. 1970s Horror Film Indicate if Seminar and/or Writing II course Seminar 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Shelley Stamp. Austin: University of Texas Press, 1996. Introduction. Prominent examples of this include Carrie (1976), Ginger Snaps (2000), and American Mary (2012). (The Horror, Femininity, and Carrie's Puberty is a VERY dense piece. In The Dread of Difference: Gender and the Horror Film, ed. Barry Keith Grant, 279-95. Barry Keith Grant. Stamp Lindsey, Shelley (1996), Horror, Femininity and Carries Monstrous Puberty, in Barry Keith Grant (ed. The horror film genre is a movie genre containing multiple subgenres. Young, Iris Marion. The Horror Film in Neoconservative Culture (Christopher Sharrett) 13. Horror films resemble a mirrored object. Critics and researchers claim that these films depict graphically detailed violence, contain erotically or sexually charged situations which verge on becoming pornographic, and focus more on injuring or killing female JSTOR. Horror films feed into the female monsters identity through her menstruation, since this is a point of contrast from male anatomy and physiology. October 43 (1977). Then, when Carrie gets pig blood dumped on her head at the prom, theres not just more of it in the second film: Pierce shows the blood landing on her in slow motion three times . Read Horror, Femininity, and Carrie's Monstrous Puberty; Read Cult Movie Review: Carrie; Read Pretty Bloody: Women and Horror Stereotypes; Posted with Blogsy. Screening: DRACULA (Badham, 1979) 109min. Share to Twitter Share to Facebook Share to Pinterest. Horror, Femininity, and Carries Monstrous Puberty. Single White Female (1992). Horror, Femininity, and Carrie's Monstrous Puberty. An undying procession of sons of Dracula and daughters of darkness has animated the horror film genre from the beginning. They gaze back at the audiences' who are unsuccessful in hiding their own sexual desires. In The dread of difference: Gender and the horror film, edited by B. K. Grant , 35-65. Is the Rectum a Grave? Brian de Palmas 1976 film Carrie has become a seminal text in female horror for its blending of the trials of adolescence with a dash of the supernatural. Google Scholar The plot of the film is linear and chronological, in which the problematic life of the schools scapegoat Carrie White (played by Sissy Spacek) is shown (De Palma). The Monster as Woman: Two Generations of Cat People (Karen Hollinger) 16. As you're reading these articles, take notes on the different themes these writers saw in the movie Carrie. The Entity (1982), to take an oft-cited example, would seem to be a genderless monster, but as a supernatural force that sexually victimizes a female character, it clearly embodies a monstrous masculinity. The Horror Film in Neoconservative Culture (Christopher Sharrett) 13. Posted by Mickey Moses at 1:52 PM No comments: Email This BlogThis! In: Grant, BK (ed.) Robin Wood, for example, has reserved a privileged place for Cronenberg in the reactionary wing of the horror genre, particularly because of the pervasive portrayal of the human (sexual/feminine) body as a site of disgust. Similarly, feminist critics have responded with horror at the extent to which these lms hinge their monstrous visions on the feminine. Others, Horror, Femininity, and Carrie's Monstrous Puberty (Shelley Stamp Lindsey) 13. Contents: When the woman looks by Linda Williams; Horror and the monstrous-feminine: an imaginary abjection by Barbara Creed; Her body, himself: gender in the slasher film by Carol J. Clover; "It will thrill you, it may shock you, it might even horrify you": gender, Creed is a graduate of Monash and La Trobe universities where she completed doctoral research using the framework of psychoanalysis 12.